When Pierre and Alice du Pont were married in October 1915, the Longwood estate already boasted beautiful outdoor flower gardens, the Open Air Theatre, and a brand new addition to the Peirce-du Pont House—a conservatory. Their passion for gardens was evident. Features that we associate with Longwood today, like dahlias, roses, topiaries, fountains, champion trees, and brilliant spring bulbs were already notable; however, there were no orchids.

A little boy dashes from the Visitor Center into the brightly quiet wonder of A Longwood Christmas. His eyes, wide as the night, reflect the glow of the big old elm, tall as the sky and brilliant with light, perhaps borrowed from the stars above. “How do they do all of this?” he exclaims. A December breeze catches the branches and makes the lights twinkle even more brightly. Or could it be the spirit of Christmas at Longwood—the unseen essence that animates the place and its people?

It was the age of flappers and jazz … but at Longwood Gardens it was more about industrial-strength classicism and illuminated fountains, thanks to the vision of Pierre S. du Pont. Mr. du Pont was in the technology business of chemistry and automobiles. He was building skyscrapers, chemical factories, and assembly lines, so it wasn’t hard to adapt technology to make fountains spurt and glow. Longwood’s first fountain (1907), on the Flower Garden Walk, was supplied by gravity from a tank in the Peirce-du Pont House attic, which in turn was fed from a hydraulic ram at the Large Lake. No electricity was required since the power to push water uphill came from the water itself...

Water—not only does it sustain us with the fruits of our gardens and fields, it elevates our lives with its elemental beauty. This dual nature of water is embodied in the Gardens and fountains of Longwood, where utility and wonder thrive side by side. Essential to life in the Gardens, water is also a wellspring of play and artistry that finds expression in our fountains, which are monuments both to nature and to human ingenuity. Such human ingenuity was a defining trait of Longwood’s founder, Pierre S. du Pont. And yet even the most imaginative ideas build upon the knowledge of what has come before. Pierre "collected" ideas for gardens and fountains during his many trips to Europe and to world's fairs, and then implemented them at Longwood, shaping them according to his own American vision and innovation. He also gained inspiration from the pages of his personal library, a tradition that continues today when staff, students, and volunteers step into the Longwood Gardens Library & Archives.

While visiting the Villa d'Este in 1913, Pierre S. du Pont, the founder of Longwood Gardens, announced, “It would be nice to have something like this at home.” This was a sentiment shared by other wealthy Americans visiting Europe around the same time. American residential landscape design in the late 19th and early 20th centuries—now known as the "Country Place Era"—was driven by these educated and well-traveled individuals who had the desire and means to build elaborate European-style estates at home. Mr. du Pont was developing Longwood Gardens not long after George Washington Vanderbilt II established the sprawling Biltmore Estate; at the same time, William Bowers Bourn II was constructing his country house, Filoli, and John D. Rockefeller was building this hilltop palace, Kykuit.

Pierre S. du Pont's extraordinary Main Fountain Garden has entertained guests with its beauty and showmanship for eighty-three years. Now Longwood Gardens will carry Mr. du Pont's legacy to New Heights through the Fountain Revitalization Project that begins in mid-October.

Holidays celebrate tradition. Gifts—symbols of good will, of gratitude, of joy—are a part of that tradition. Many of our best-loved holidays take place in fall and winter, as we gather to share the fruits of our harvest, the company of family and friends, and our hopes for the coming year. Come join us for A Longwood Christmas, where the gift and tradition of fruit is the centerpiece of our celebration.

Our historic orchid growing houses, normally open only to Longwood’s staff, were constructed between 1926 and 1962. Today we use these houses to grow and care for the nearly 9,000 orchids in our collection. Visit us this Saturday, March 23, 2013, for our final Beyond the Garden Gates Day of the Orchid Extravaganza season, when you’ll have the rare chance to visit these spaces in person.

The tradition of orchids at Longwood Gardens began with a gift. In 1922, twelve Cattleya orchids were included in a gift of greenhouse plants from Mrs. Dimmick of Scranton, Pennsylvania to Mrs. Alice B. du Pont. It might have ended there, as one-time gifts sometimes do. These first orchids did not fare well, due to the grower’s limited knowledge of their needs and habits.

The American Elm was once a staple on the streets of America until Dutch elm disease was introduced in the 1930s. Today, small groups of elm trees can still be found in the woods or on the side of the road, but it is rare to find large specimens along streets or in landscapes. The American elm on the Cow Lot at Longwood Gardens is the only straight species of American elm remaining in the Gardens. Standing just outside the Visitor Center, this tree provides a majestic welcome to our guests, and gives everyone a taste of what's to come as they begin their way through the Gardens.

It is very sad to lose a tree, especially one as old as the Sentinel Oak. That is why it was such a joyous occasion today, as we planted a new Sentinel Oak!