“It’s heaven,” exclaimed Natalie Kramer when the twinkling white and blue lights began to dance for the first time in our Topiary Garden. Kramer is one of four students who have been working since September assisting Longwood Staff members on the building and installation of the Gardens’ newest holiday light display.

Great public gardens must function as successful businesses to provide maximum impact and return on their mission. Leaders of nonprofit organizations focus on mission while also exercising fiscal discipline in order to meet their strategic objectives.

In the early 1800s, at the country’s first botanic garden, Ann Bartram Carr welcomed boaters by serving them ice cream. Today, neighborhood kids ride Bartram’s Garden kayaks out to a raft on the Schuylkill River where they, too, are greeted with free ice cream. Such is the spirit of welcome that we, the Longwood Fellows, were greeted with during our recent visit to Bartram’s Garden.

On July 27, the inaugural cohort of Longwood Fellows traveled to Drexel University in Philadelphia, Pennsylvania, for the first in a series of Leadership Salons that will expose the Fellows to thought leaders in public horticulture and beyond and to the challenging topics they face in the nonprofit sector. This first salon, led by Danielle Rice, Ph.D., Director of Museum Leadership at Drexel University’s Antoinette Westphal College of Media Arts and Design, focused on the history of urban public spaces—an appropriate place to begin.

“Leadership” can be an amorphous term. Most agree that it is an important quality to possess these days, from scholars to the average person on the street, but how is the term defined and what does it mean to study leadership in 2017? Beginning with this post, the Longwood Gardens Fellows invite you to “Follow the Fellows” as they define the term for themselves and actively seek to develop their leadership skills and personal brands.

What does our 2017 Community Read selection, The Way Things Work Now, have in common with our Main Fountain Garden? Both are works of art and engineering that engage the imagination. Both were created by masters of their fields—David Macaulay is an award-winning author whose words and drawings help us imagine how technology works, while Pierre S. du Pont was a visionary business leader whose love of fountains placed that technology on spectacular display. It’s one thing to stand in awe of such technological wonders—and quite another thing to wonder, and to seek to understand. That’s what David Macaulay and this year’s Community Read do so well—they make us wonder not only about things that inspire awe, but also about things we might otherwise take for granted.

On Friday, March 3, the Longwood Graduate Students presented their annual symposium entitled “Growing Together: Cultivating Change in the Economic Landscape.” The daylong educational experience sought to engage attendees in big picture thinking. From how the public horticulture industry uses vacant city lots for urban farming to the way public gardens can advocate for their mission while leveraging current events and politics, the riveting speakers and crowd discussions left no mind untilled.

Have you ever wondered how your smartphone works? How about a telescope? Or helium pants? This year, the Longwood Gardens Community Read invites you to explore the wonders of science, technology, and engineering that shape our world. Pick up this year’s titles—The Way Things Work Now by David Macaulay, and Rosie Revere, Engineer by Andrea Beaty—to find fun and fascinating answers to these questions, and the inspiration to ask many more.

Longwood Gardens is known not only for its leadership in horticulture, but also for its excellence in education—both at home and abroad. Among its many outstanding programs is Longwood’s International Training Program, which was founded in 1956 with Aage Anderson of Denmark as its first participant. This year there are international trainees and interns from Poland, Spain, South Korea and the UK. The program allows each individual to focus on key areas of interest and to broaden their learning experience by rotating through different areas of the Gardens, including outdoor display, indoor display, natural lands, production, education, marketing, plant records, and research. Participants live with American interns, Professional Gardener (PG) students, and Great Gardens of the World TRIAD fellows on Red Lion Row, which is just a short walk from the Gardens. “The Row” was originally built by Longwood’s founder, Pierre S. du Pont, to house employees and their families. Nowadays 20 to 40 students live on “The Row” at one time, which leads to a unique and highly sociable international community, sometimes known as plant camp!

What if you visited Longwood Gardens and it didn’t have any gardens? What if you moved to Meadowview Street and it didn’t have any meadows? That very question got author/illustrator Henry Cole thinking. And so he created the story of a young girl named Caroline, who grows her own meadow in our 2016 Family Community Read selection, On Meadowview Street. “Isn’t it ironic to see street signs everywhere with names like ‘Cardinal Way’ or ‘Fern Street’—and there are no cardinals or ferns anywhere near!” says Cole in a recent email interview with Longwood. “Places are called things to make them sound inviting and beautiful but it is seldom that communities are planned (and planted) with the environment first and foremost.”

One person. One step. That is how some of the most wondrous journeys—and stories—begin. The inspirational power of one is the theme of Longwood’s third annual Community Read, an event that moves us to pick up our feet as we journey along with this year’s book—Grandma Gatewood’s Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail—by Pulitzer Prize finalist Ben Montgomery.

The Longwood Gardens Library & Archives recently received a generous gift from longtime guest, local historian, and avid travel photographer, Eugene L. DiOrio. Since May 2013, Mr. DiOrio has presented 1,073 black-and-white negatives, 11,652 color slides, and approximately 3 boxes of brochures, pamphlets, and maps to Longwood. The collection covers Gene’s local, regional, and European travels, with a focus on historic architecture, estates, and gardens; it will comprise approximately 40,000 black-and-white negatives and 40,000 color slides when complete.

The Longwood Graduate Program Fellows have nearly finished our time in Australia. We visited eleven different sites including botanic gardens, a national park, and a zoo. Each location has filled a different niche and given us a unique experience. Our goal for this trip was to learn how Australian gardens are evaluating the success and social impact of their site and programs. As an element of that goal we have also been investigating community engagement strategies. Evaluating social impact is a challenging task, in fact simply agreeing on definitions can be a challenge. Assessing social impact, or return on mission, is something we are currently working on as part of the next 5-year strategic plan here at Longwood Gardens.

As Pennsylvania finally seems to be settling into winter weather, the First Year Longwood Graduate Fellows are excited to be setting off for the southern hemisphere. Since July, we have been researching and developing an itinerary to explore the social impact of Australian gardens in Sydney, Melbourne, and Adelaide. This trip was designed to align with Longwood Gardens’ strategic planning goals to measure the effect of education and community engagement programs beyond the garden gates.

A life lesson here in Japan is that beauty is, without a doubt, in the eye of the beholder. Learning about the Japanese perception of beauty in contrast to our own has been a fascinating study in aesthetic. The chrysanthemum has provided us with the perfect subject matter to view these differences and has given us a whole new perspective on our own Chrysanthemum Festival at Longwood Gardens.

Water—not only does it sustain us with the fruits of our gardens and fields, it elevates our lives with its elemental beauty. This dual nature of water is embodied in the Gardens and fountains of Longwood, where utility and wonder thrive side by side. Essential to life in the Gardens, water is also a wellspring of play and artistry that finds expression in our fountains, which are monuments both to nature and to human ingenuity. Such human ingenuity was a defining trait of Longwood’s founder, Pierre S. du Pont. And yet even the most imaginative ideas build upon the knowledge of what has come before. Pierre "collected" ideas for gardens and fountains during his many trips to Europe and to world's fairs, and then implemented them at Longwood, shaping them according to his own American vision and innovation. He also gained inspiration from the pages of his personal library, a tradition that continues today when staff, students, and volunteers step into the Longwood Gardens Library & Archives.

"They know how to build soil, recycle water, create homes for endless other beings; they give us the very air we breathe, they know how to make berries out of light. We might do well to listen." —Robin Wall Kimmerer. Photo by Richard Donham.

A community of animals—among them a boa, a toucan, a sloth, and a jaguar—call the kapok tree their home. Each whispers to the man who comes to cut the tree down, filling his dreams with the kapok's life-giving secrets. The man wakes to the wonder of this tree in the Amazon rain forest, drops his axe, and walks away.

If you’ve visited the Gardens recently, you know that Longwood has taken flight this season with a stunning bird-inspired holiday display. What you may not know is that this area of Pennsylvania has a rich history in the study of ornithology. Illustration of American sparrow hawk and field sparrow, drawn from nature by A. Wilson, engraved by A. Lawson. From American Ornithology.

This fall, be sure to explore our Bonsai Display, where some of the best surprises of Chrysanthemum Festival come in small packages. Anemone Chrysanthemum x morifulium ‘Kotoi No Kaori’, photo by William Hill.